Ethnographic Intention represented in the Cuban cinematography

Authors

  • Rosalina Soler-Rodríguez Universidad de Ciencias Pedagógicas “Frank País García”

Keywords:

audiovisual aids, ethnographic movies, Cuban cinematography

Abstract

Cinematography has been represented in the Cuban movies in the documentary and fiction gender as one of the way of understanding a determined cultural system. Such is the case of the cinematography plays referred to the African Slaves in Cuba. This theme is represented on the films “The Last Supper” and ” Cecilia” as well as plays of animation movies  that contribute to the knowledge of the ethnographic data that identify  these social groups and  are represented throughout audiovisual language  used as  instruments of investigation and for the socialization of the results obtained.

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Published

2016-06-16

How to Cite

(2016). Ethnographic Intention represented in the Cuban cinematography. Maestro Y Sociedad, 12(3), 103–108. Retrieved from https://maestroysociedad.uo.edu.cu/index.php/MyS/article/view/1288

Issue

Vol. 12 No. 3 (2015)

Section

Artículos

License

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